Tuesday, March 31, 2015

How I Got My Agent

Last summer I finished my second novel, Cheesus Was Here, about a girl determined to prove miracles aren't real when her small Texas town is overrun by ridiculous religious signs. I sent it to a friend and waited expectantly. I just knew my friend was going to love it and tell me how awesome I am and how fabulous my book is because, unlike my last disaster of a novel, this book was THE ONE.

She ripped the story to shreds. I cried. Then I picked myself up and began revising because she was right, the novel was a first draft and had sooooooooooo many flaws it's embarrassing. It's HARD telling a friend their story is a mess. I've been there. Thank God, my friend had the courage to tell me the truth.

I revised feverishly, impatient to get my book out the door and into the hands of agents. I finished a draft, had several CPs and Betas look it over and promptly sent a handful of queries out. I also entered a contest called Pitch Wars.

I knew in my heart, even if I wouldn't admit it out loud, that my book wasn't quite ready for agents. I was positive I'd get into Pitch Wars and a mentor would help me polish my poor little MS into literary gold. I carefully stalked and selected my mentor choices. But on reveal day, I didn't make the cut. There was some more crying. It's a theme.


Despite not getting picked, Pitch Wars was amazing. I made good friends, somehow talked one of the mentors I'd pitched into becoming my CP and had a lot of fun. I regret nothing. I also decided contests were fun so what the heck, might as well try a few more. I entered a Twitter pitch contest called PitMad and got several requests. After that I was hooked so I entered Pitch Slam, made the finalists list and picked up two more requests. Never one to quit I entered two separate Secret Agent contests, won both and got two  more full requests

Meanwhile, I flung queries out into the world, got some personalized rejections and *gasp* full and partial requests. I got quite a lot of full and partial requests. THIS WAS IT! One of these agents was going to fall in love with my novel and sign me right away! (Do you sense a trend?)


The rejections began rolling in. I could handle query rejections, but full and partial rejections were harder to shrug off. Especially when the agents were all saying the same thing. I began to despair. No one was going to love my novel and I'd blown my chance by querying too soon.

In early November, one of the agents who'd requested a full through PitMad sent me a Revise & Resub request. I leaped on it. This was my chance to revise the novel and address all those issues I'd missed the first time. Plus, bonus, she had some great recommendations on how to fix the novel. YAY! I promptly sent every single agent who had my full or partial an email saying I was revising the MS at an agent's request and would they like to see the new version when it was ready. All but one said yes. I now had 16 agents waiting on my novel. Ohhhhhh the heady excitement of it all.

I revised. Rewrote. Sent to beta readers. Incorporated feedback. Was lucky enough to find a few new beta readers and CPs and fixed more things. I revised that manuscript so many times there was red ink dripping from my laptop. I murdered a lot of darlings.

Finally, the manuscript was done. Now the agents would love it. Now I would get all the offers and my shiny new agent and I would dance off into the sunset together. In early February, I sent my revised manuscript to the 16 agents waiting for it and queried a few more.

The very next day I received my first rejection on the revised manuscript. DESPAIR! No one was going to love my novel. No one. Okay, my CPs loved it. And every rejection had really nice things to say. Sometimes bafflingly nice. But maybe my novel wasn't good enough after all.

The rejections trickled in. Four weeks later I was getting almost used to them, but still cringed every time I opened an email from an agent. When another email hit my inbox I prepared for the inevitable "love your writing but this just isn't for me" note. Instead, Agent A wanted to set up a call for the following Monday. OMG! This was IT! THE CALL! I tried to remain calm. It could be another R&R. But I just knew this was it.


On Monday, I called at the appointed time. Agent A had written down our appointment for the wrong day. Doh! We rescheduled for later that afternoon. That sounds horrible but it was kind of nice because by the time our second call time rolled around, I no longer felt like throwing up. It's the little things in life that get you through.

Agent A began by saying how much he enjoyed my MS and a few changes he'd like to see and then said the magic words: "I'd like to offer you representation." At this point 11 agents still had a full or partial. I immediately emailed them all, giving a deadline of two weeks to respond.

A few stepped aside right away. But, several more let me know they'd get back to me. A week later I got a second offer. Agent B called Sunday evening. I took the call sitting in my garage on the bare concrete so that the sound of my kids trying to murder each other wouldn't interrupt our conversation. (My kids are mortal enemies, true story.)

Agent B and I talked for an hour and it was amazing. My butt went numb thanks to the concrete and I didn't even care. We really connected. She was one of those dream agents I'd queried but never expected to actually work with.

I was so giddy after our call I danced around like an idiot, emailed my closest CPs and then stared at the calendar moodily. I knew, KNEW deep down, that I was going to sign with Agent B and waiting an entire week seemed like horrible torture.


I emailed Agent B the next day and asked her advice. She recommended letting the other agents know that we'd really hit it off and I was withdrawing my submission if they hadn't read the MS yet. If they had, I was willing to chat if they wanted. That way if an agent had already read the full MS and wanted to make an offer, I wasn't pulling the rug out from under them, but I also wasn't wasting anyone's time who hadn't read the MS yet.

All of the other agents stepped aside after that email, some really grateful that I'd been upfront about wanting to sign with Agent B. Agents are busy people and they read A LOT of requested material. Wasting their time when you've already made a decision is not terribly nice, even if you're just trying to be polite.

The next day was the most surreal of my life. For the first time I was happy every time an agent emailed to say they were stepping aside. I was HAPPY at being rejected. Every single email was one closer to letting me sign with Agent B. All of the agents were amazingly nice and wonderful, I really hated disappointing several of them and especially the agent who'd originally requested the R&R. But, as I said, I knew in my heart that Agent B was the perfect fit for me, Cheesus, and my future projects.

On Wednesday, March 25, just over six months after my first query went out, I signed with Mandy Hubbard of the D4EO agency!!!!!! I love that Mandy is a writer and an agent. Plus if you follow her Twitter feed you'll see that she's essentially made of awesome. And now I get to dance off into the sunset at last!


The Stats
Queries: 74
Full & Partial Requests: 27
Offers of Rep: 2
Agents who stepped aside: 9

Both of my offers came from slush pile submissions, though several fulls and partials were from contests.

The Oscar Speech
A few friends went above & beyond, reading the book multiple times and holding my hand through late-night angst sessions. Special thanks to Kimberly for inspiring me, distracting me & offering great advice. To Kate for being a kick-ass editor and reading the book so many times she can probably quote the entire thing by now. To Erica, for telling me that first draft had promise but needed a hell of a lot of work. To Addie, Jake, Rachel & Heidi for their amazing CP abilities. To the writers in my YANA critique group for line edits, support and all around awesomeness. To everyone who helped with my query during WriteOnCon, to every Twitter friend who cheered me along the way, to every writer who inspired me by posting their own agent stories: Thank You! And finally, thanks to my family for being excited for me, even when they're not sure why. I am blessed with amazing people in my life. 

Monday, March 23, 2015

The Waiting Game

The hardest thing about writing isn’t actually getting words on the page. It’s learning to wait patiently after all those words are written. Publishing is a slow, slow business. Sure there are stories about people who send out a query and receive an offer that same week and then bam, soon after they’ve got a book deal. BUT even in those cases, it will be a year or more before that book comes out if we’re talking about a traditional publisher.


Even if you Self-publish, you’ll have to show some patience as you build an audience for your book. Very, very few self-published books become instant successes overnight.

Unless you’ve got a four-leaf clover tucked in your back pocket, or a magic lamp to rub, better hunker down and prepare to wait. Every writer’s journey to publication is different. Each one has its own timeline.

I freely admit that patience isn’t my best virtue or even in my top ten. I’m learning though. Slowly and painfully. So here are some tips for what to do while you wait for the results of a contest, a critique from your beta readers, a response to your query, a response from an editor, your book to go out on sub, or any of the myriad other waiting games you’re about to leap into in the fun world of publishing.

1. Write.
No seriously, get your butt back in that chair and start writing your next novel. Sure you deserve the occasional mental health break, but mostly write, write, write. It’s what you love after all, isn’t it?

2. Read.
The best writers are also avid readers. Read widely, venture into genres outside your comfort zone. Try a new author. Try some old favorites. Read until the words are soaking into your skin like raindrops.

3. Critique.

Help out your fellow writers by joining a writing critique group or finding critique partners or even critiquing queries and first chapters for complete strangers you meet in the writing community. No matter how rough the writing you’re critiquing might be, I guarantee you’re learning something as you give feedback. Plus, you’re earning good karma by helping others.

4. Attend a conference.
Writing conferences are amazing. They are filled with awesome people, fantastic workshops, roundtables and panels and they’re a great way to improve your writing craft and make friends. Look for conferences associated with the genre or category you write in. For example, the Society of Children’s Book Writers and Illustrators, SCBWI, has many regional and two large national conferences each year. Romantic Times is a popular conference for romance writers. World Fantasy is a huge conference that attracts thousands of speculative fiction authors. Search online and I’m sure you can find a conference you’re interested in.

5. Connect.
Connect with other writers via social media such as Twitter, Facebook, Tumblr and others. There are already amazing writing communities in each of those places just waiting for you to jump in.

6. Write.
But wait, I already said that. Yep, but it’s worth repeating. Do all those other things I listed, but this is the most important and it’s the one you should always, always come back to. Writers write.

Tuesday, March 17, 2015

Pitch Madness Interviews Pt. 3 - The Wizard Behind The Curtain

This is the third in my interview series with a few of the people behind the Pitch Madness pitch contest. If you're new to the series and/or unfamiliar with Pitch Madness, please see parts one and two. Yesterday we got to know one of the Yellow Team captains, Sharon Johnston, a bit better. Today we'll spend a little time with the brains behind Pitch Madness and many other fabulous contests, Brenda Drake.

Brenda is a full-time writer and social media whizz. She not only hosts and organizes huge contests like Pitch Madness, she's normally on the front lines as well, acting as a team captain or mentor. It's only fitting that Brenda lives in the Land of Enchantment, better known as New Mexico to anyone outside the state, because clearly there's some magic happening behind the scenes and Brenda's largely responsible for it.

What is the first writing contest that you held and what inspired it?
Brenda: I started with smaller contests such as "Show Me the Voice" with just one agent participating. They were blog hops, where participating writers hopped to each others blogs and critiqued pitches. Then I came up with the idea for Pitch Madness where agents play a game to win their requests. After that first contest, I wanted to give the writers who didn't make it into the contest a chance to pitch to the agents, so I came up with a twitter pitch party on #PitMad. It took off after that. Soon, I got the idea for Pitch Wars while watching Cupcake Wars (yeah, I don't get why it spurred the idea for PW either) one night, and I thought it would be great for writers to have a helper, someone to read their manuscripts, to mentor them, and get their projects ready for an agent round.

You host a number of different contests throughout the year. Which is your favorite and why?
Brenda: Pitch Wars is my favorite because it's more of a mentoring gig. I love the spirit of the mentors and how they really want to see their mentees succeed. It's been the most successful of the contests.

Was there a favorite moment in the Pitch Madness contest for you this year?
Brenda: Next to seeing all the hosts in the Google chat while we were drafting our teams, I'd have to say it was the moment my entire team got at least one request. That excitement was brief, because I'd found out that other teams had entries without requests and my heart broke for them. I know how rejection feels, and I know how not getting a request in a contest feels.

If you could give one piece of advice, and only one, to writers out there in the query trenches right now, what would it be?
Brenda: Writing is a perseverance thing, you can't give up, just keep going. It's a tough journey to publication. If you give up, you'll never realize your dreams.

Silly question time. If you could choose ANY book to switch places with a main character, which book and character would it be?
Brenda: Anna Oliphant from ANNA AND THE FRENCH KISS. Because I want to kiss Étienne St. Clair under the Eiffel Tower. Of course, that would mean I have to be her age or it could be really gross for St. Clair.

Huge thanks to Brenda for answering my questions, allowing me behind the scenes and spearheading so many projects and contests that support and build the writing community. Follow her on Twitter @brendadrake or at her website, http://www.brenda-drake.com.

Monday, March 16, 2015

Pitch Madness Interviews Pt. 2 - Oh Captain, My Captain

This is the second in my interview series with a few of the people behind the Pitch Madness contest. If you're new to the series and/or unfamiliar with Pitch Madness, please see part one. Yesterday we met slush-reader extraordinaire, K.T. Hanna. However, slush readers are just one vital part of the Pitch Madness process. Team captains are the next part of the equation.

Each of the four teams has two captains and together they comb through the slush and the slush-reader recommended entries searching for pitches to fall in love with. But whether or not they actually get to keep their favorite pitches is another matter entirely. All four teams compete against one another in a draft for their favorite entries. Think football draft but with more laughter, threats and a more diverse and intriguing entrant pool.

Part of the fun of Pitch Madness is watching the Twitter feed and seeing the team captains post obscure and maddening tweets about their picks. It's even more fun when they begin taunting one another and attempting to hoard favorite entries for themselves. Their sense of playfulness and their camaraderie spill over to those entering the contest and it makes for an amazing community experience.

Can I Get A Captain, Please
Among the team captains this year was Sharon Johnston, a PR maven, publishing intern, veteran blogger and pitch event expert. In addition to Pitch Madness, Sharon is also a Pitch Wars mentor and helps with the Nest Pitch and Pitcharama pitch events. A native Aussie, Sharon has several published short stories and a keen eye for novels that will appeal to agents.

Approximately how many hours did you spend reading entries for this year's contest?
Sharon: I seriously lost track of the hours. Trying to balance work and family and reading entries was hard. I ended up staying up to the wee hours of the morning and reading as I wanted to read every single entry – and I’m pretty sure I did.

[Note: There were 915 entries and only a week or so to go through them all. That's a lot of reading.]

There was a bit of competition for some of the entries among the team captains. Who made the best threats and were they carried out?
Sharon: Becks’ team was by far the most threatening because you couldn’t tell at all what entries they were considering with their tagging system in the Pitch Madness inbox. They were first in the draft and they picked one we all wanted: Decoy Royale.

[Note: Decoy Royale was beloved by the agents in Pitch Madness as well and received the most agent requests.]

How many years have you been helping out with Pitch Madness and how did you first get involved?
Sharon: I’ve been hosting Pitch Madness for about three years now. It started because I noticed that one of the hosts was stepping down and I offered Brenda the use of YAtopia. However, with YAtopia being a group blog it didn’t work the best as we couldn’t have any other posts while the game was on, so it moved across to my personal blog.

What was your favorite moment in this year's contest?
Sharon: The reaction of everyone on the Google chat when they found out I had covertly been taking photos on the chat on my phone. It was priceless. There were really so many favourite moments – every time I read a pitch and it gave me goosebumps or I was like “I HAVE TO READ THIS.” Every time a team stole an entry from another team’s wish list and the groans that ensued. Every time I see a bid on my team, or an entry I loved on another team. Every time I see a tweet where people have become friends/betas/CPs though Pitch Madness. Yes – a lot gives me the warm and fuzzies.

If you could give one piece of advice, and only one, to writers out there in the query trenches right now, what would it be?
Sharon: Write your pitch/query keeping in mind the person reading it knows NOTHING about your book. Test it on people who know NOTHING about your book and take this feedback into account and be prepared to rewrite your pitch/query based on that feedback. Yes, pitches need editing and redrafting too.

Silly question time. You have a magic pencil and the ability to rewrite any book ending you like. Which book and what do you change?
Sharon: Gone Girl – (if you haven’t read it – LOOK AWAY NOW. I mean it. Stop reading this if you don’t want spoilers). I wanted Nick to outsmart Amy. I didn’t like that he was caught in that marriage. I wanted him to beat her at her own game and set her up the way she set him up.

Special thanks to Sharon for answering my questions and volunteering her time. Follow her on Twitter @S_M_Johnston or at her website, http://sharonmjohnston.com.

Tune in tomorrow for an interview with Pitch Madness creator, Brenda Drake.

Sunday, March 15, 2015

Pitch Madness Interviews Pt. 1 - It's All About The Slush

Pitch Madness is a popular pitching event created and overseen by Brenda Drake. This year the event took place in the first week of March and there were over 900 entrants vying for one of 60 coveted spots. Slush readers read hundreds of entries, combing through pitches and first pages to find the stories they though agents would most connect with. After the slush readers had weeded out the most promising pitches, team captains from four different teams selected their top 15 choices during a draft which was covered live over Twitter. The selected entries were then posted on one of four blogs and agents were able to request pages.

I Have Some Questions
Brenda allowed me behind the curtain after the team selections had been finalized so I could run stats on this year's Pitch Madness event. That glimpse behind the scenes made me curious about the people who bring this popular contest to life each year. With Brenda's permission I emailed one of the Pitch Madness slush readers, one of the team captains and Brenda herself. I kept it brief, 5-6 questions at most. These are busy people with books and blogs to work on. But they were each gracious enough to spare some time for me. Their answers show how truly fantastic Pitch Madness is, not just for those entering, but for those helping out each year as well. Over the next few days I'll share each of their interviews with you.

A Professional Slush Diver
Up first is slush reader K.T. Hanna, one of many people helping out with Pitch Madness this year. Her slush-diving credentials are impressive considering K.T. is a New York agency intern. In addition to filling out reader reports for agents, K.T. also helps run an editorial service, Chimera Editing. She's been helping out with Pitch Madness for the past three years and was a Pitch Wars mentor in 2014.

Approximately how many hours did you spend reading entries for this year's contest?
KT: I went through about 685 entries. I think I spent about 15, maybe 18 hours on the entries.

What inspired you to volunteer to help with Pitch Madness?
KT: I took part in the original Pitch Madness in March 2012 and met my first agent (who sadly left the business). But, since then, I’ve always offered to help Brenda out in anything she runs, because I think this sense of community she fosters is amazing and I love that writers don’t have to feel alone.

What was your favorite moment in this year's Pitch Madness contest?
KT: When so many of my favorite entries got picked and requested! That and all the camaraderie on the hasthag (#PitchMadness). Love the community so much.

Is there one pitch that really stood out for you?
KT: There were a lot of pitches that stood out for me. In fact, I had like 30 on my list, haha. I really can’t narrow it down better than that.

Silly question time. You sit down at a bar, look over and your favorite author is sitting next to you. Who is it and what is he/she drinking? What do you do?
KT: Ahhh this one makes me sad. My favorite author is Louise Cooper (and if you haven’t read the Time Master Trilogy, you need to). Sadly she passed away on my birthday in 2009. But if she were there, she’d probably be having a cup of tea. I’d go sit down next to her and chat to her, because those books made me not only want, but need to be a writer.

Special thanks to K.T. to answering my questions despite a rather hectic week. Follow her on Twitter @KTHanna or at her website, kthanna.com.

Tune in tomorrow for a perspective on Pitch Madness from one of the team captains.

Sunday, March 8, 2015

Pitch Madness - When Stats Attack

What is Pitch Madness?
Each year the fabulous Brenda Drake hosts a pitch contest called Pitch Madness that helps un-agented authors get their work in front of a bevy of literary agents. In addition to providing the chance for agents to request their work, Pitch Madness also helps writers connect with one another on social media, improve their pitches and share in the fun community that grows up around the contest.

In order to enter, writers submit a brief 35-word pitch and the first 250 words of their completed manuscript, along with information about the title, category and genre of their novel. A team of talented slush readers and team captains, most of them agented and/or published authors, then comb through the submissions and pick 60+ entries to be placed in front of agents. There's a playful element to the contest for the participating agents because they are engaged in a virtual game, this year Sorry!, and compete to get partials or fulls of the various entries. It's a fun way for agents to discover new talent and a great opportunity for un-agented writers.

A Deluge of Entries
Pitch Madness began in 2012 and at first was held twice a year and then later, annually. The 2015 contest was the sixth time the competition has been run and each year more and more entries pour in.

There were 915 entries in this year's contest, nearly double last year's already impressive 500 entries.

Last year, Dan Koboldt ran summary numbers for Pitch Madness to give writers a look inside the competition. He did a fantastic job, and you can read his post here. This time around, I volunteered to rustle up some summary stats and I may have gone a bit overboard. There are a lot of charts below.

Raw Numbers
Of the 915 entries, I was able to pull full or partial information on 866. The numbers below are based on that. Writers submitted novels in four different categories: Adult, New Adult, Young Adult and Middle Grade. The majority of entries, 44% were classified as Young Adult. Adult novels weren't far behind, however, comprising 31%.

Click on any of the charts to view larger.

While authors used a dropdown box to indicate which category their novel falls into, they were able to enter whatever text they liked for genre. That led to some interesting genre designations but also made reporting on genre a little challenging. If, for example, an author marked their novel as Contemporary Fantasy, it would have been tagged as both Contemporary and Fantasy when I extracted the data. Therefor the genre numbers are a little less reliable, though still broadly applicable.


At first glance, based on the chart above, it looks like Fantasy kicked every other genre's butt. This is mainly because there were a huge number of Young Adult Fantasy novels submitted. However, if you look at the individual categories, the story is a little different.

For Adult novels, Women's Fiction dominated with Suspense/Thriller & Fantasy both trailing a very close second. For New Adult submissions, Romance was the genre of choice with Fantasy nipping close at its heels. Inside the huge YA category, Fantasy was the clear winner, representing nearly twice the number of entries as next most popular genre, Contemporary. Surprisingly, Middle Grade was an exact mirror of YA with Fantasy dominating and Contemporary representing half as many submissions.


Inside The Teams
Four teams, each led by two captains, selected entries for the agent round of the competition. To learn more about the teams & their members, you can read Brenda's original team post. Each team selected 17 entries for a total of 68 selections. Unlike the general entry portion of the competition, I was able to individually verify each piece of data for the team picks so the numbers below are quite accurate.

The team selections mimicked the overall entries as far as category and genre were concerned. Although YA novels gained a slight advantage.


The Fantasy and Contemporary genres also had a slight advantage, representing 35% and 19% of the overall picks respectively.


What An Agent WantsThe four teams for the agent round were the Red Team, the Blue Team, the Yellow Team and the Green Team. In the past, Brenda's team (this year designated Red) has dominated the agent round. There was an upset this year, however, and the Blue Team, led by Rebecca Coffindaffer & Marieke Nijkamp, narrowly edged ahead of the Red Team with an impressive 78 agents requests overall! The Red team pulled in 76 requests and was the only team where all 17 entries received at least one agent request.


So what exactly were all those agents requesting? Quite a lot as it turns out. There were 231 unique agent requests made during Pitch Madness! The top three most-requested entries are a perfect mirror of what had the agents ready to read more as far as genre and category. The most requested entry, Decoy Royale, a Young Adult Fantasy, gathered up an impressive 12 separate agent requests. Anabel Mist Does Not Exist, a Contemporary Middle Grade novel, and United We Fall, a Young Adult Suspense/Thriller, both tied for second place with 11 requests each.



Below is a chart showing all of the agent requests by genre and category.


Keep in mind, those category and genre trends for the agents are a close reflection of the the genres and categories of the entries chosen by the teams. Don't read more into it than there is, but it's enough to say, on this day, in this competition, YA Fantasy was kicking butt and taking names.

A Cloud of Words
In case your brain isn't spasaming from the sheer number of charts I've just thrown at you, here's one more picture to add to the mix. This one, however, is just for fun. No numbers needed. I took the 68 selected entries and created a word cloud from their 35 word pitches. It's quite an intriguing mix.


A Word About Word Counts
As you may have guessed from the myriad charts already in this blog post, I also ran numbers about the average word counts of the various entries. However, I think there's much more interesting information to share. Suffice to say, the majority of entries fell within normal limits as far as word counts go for their given categories and genres. If anyone is absolutely dying to know specifics, however, feel free to leave a comment and I'll toss up a graph or two for you.
 
Many, many thanks to Brenda for allowing me to crunch the numbers for Pitch Madness. It was a lot of fun! Much like the competition.

Wednesday, March 4, 2015

Win or Lose - Why Contests Help You As A Writer

There are dozens and dozens of contests offered each year that can help you catch the eye of an agent. From Miss Snark’s Secret Agent contest to Pitch Wars to twitter events like AdPit there’s a contest for every genre, every category and every writer out there. Should you take a chance and enter one?


If you have a finished, polished manuscript a contest might be just the thing you need. And in the case of PitchWars, it doesn’t even need to be polished - just complete. Some agents are closed to queries virtually year round but will still participate in contests. It’s worth looking into if there’s an agent you have your heart set on.

But winning the attention of a dream agent isn’t the only, or even the best reason to enter a contest. There are so many benefits. One of the most important is that contests usually have a community that builds up around them via message boards, twitter feeds and Facebook pages. All places that you can meet and interact with other writers.

Making friends in the writing community is both personally and professionally rewarding. THESE are your people. They know what you’re going through because they’re going through it too. You can find critique partners, betas, editors, chat buddies, Twitter followers, blog post readers. In short - contests are amazing because if you put the time and effort into them and give back to the community, the community will give back to you.

I’ve met some of the most amazing and wonderful writers through contests. Friends I am so thankful for and whom I get to cheer on in their writing journey, just as they’re cheering me on in mine.


A lot of contests also have mentors who can help you hone your pitch, first page or first chapter. Critiques are bartered and exchanged pre-contest between writers. All of that advice can really help and you’ll be a stronger writer at the end.
Contests also have an element of anticipation and a set deadline. Let’s face it, the publishing game is all about waiting and patience. With a contest, you have set dates and you know when things are going to happen. That can be rather nice in the uncertain writing world.

It’s scary putting your writing out there for others to judge, but if you want to be a better writer, contests are a great resource. No matter the outcome of any given contest, just by entering you’ve already won.

Upcoming contests: Pitch Slam!, PitMad, NestPitch. Feel free to list other upcoming contests in the comments!